Lightening the load
Perhaps the best way to deal with belongings is to give – not store – them away

Storage units like these in Logan, Utah, have become commonplace across the country, leading to the question: do we really need all that stuff?/ Adam Winger, courtesy Unsplash
A few years ago, I turned a carport into a bedroom. But first I had to empty out the books, papers, furniture, rugs and tools that were in the carport. Then I took it all to a storage unit where rent was $50 a month.
After three years of thinking about it, and only occasionally pawing through the storage unit for a lost item, I finally sorted out a handful of books and items that meant something – I could have fit them in a suitcase! – and held a yard sale for the rest.
I think about that when I see storage facilities spreading and expanding across the country. At least 500 units have been built here in eastern Oregon’s Wallowa County, population 7,500, and storage businesses can be found in towns and suburbs across the West.
A local entrepreneur who owns about half the local units is now building in regional towns as well: Concrete slabs with metal buildings on top, single lightbulbs inside, no plumbing.
I’m past 80 now, and although my house is small, I have held onto a lot of stuff. In the normal course of events, my children would inherit it.
But my two children and their families live in Arizona and Guam, busy building their own inventories of stuff. In a previous age, when there was a family house and three or more children to a house, the house and its basic furnishings would go to one child, and the remaining children would parcel out anything else.
In my nuclear family, it worked like this: Mom passed on, and no one wanted or needed the house, so Dad called a summit meeting as he prepared to go into assisted living.
We four siblings gathered for a week in the sunny Southern California back yard and emptied the house. Dad sat in his captain’s chair and laid down the rules: if you brought it into the house – sculpture from Africa, old sports equipment – you took it away. Or traded with a sibling. One table was set up for stuff to go to Dad’s best friend and another for a yard sale, and off we went to sort through the remaining items.
When it came to Dad’s fine collection of old cameras, they went to brother Phil, in Dad’s estimation the only one of us who knew how to take a decent photo. The tools were split between sister Mary and me: “You both at least know the difference between an end wrench and a crescent.”
Dad said that he had seen families argue and split over parental leavings, and he wanted no part of that. So on we went, sorting through grandma’s rag rugs, old diplomas, a collection of bell bottom pants and lots of keepsakes, all the while drinking beer and retelling old stories.
We cried some as we set Dad up with a few things for the assisted-living place, then left for our own homes. I got Dad’s last Ford – his cars were always Fords – as he figured my family needed a good second car more than did the others.
It was a wonderful week.
I don’t have plans for a summit, but I am looking around the house and thinking about what child or grandchild might want the things I have held onto, such as carpets from Turkey, artwork by friends, cast iron cookware and so many books.
Books written and signed by Ivan Doig and Ursula LeGuin – they can go to libraries now. And I smile thinking about taking my best Turkish carpet to a granddaughter’s first house.
Last week, Nez Perce artist Carla Timentwa brought a fine collection of beadwork, woven basket hats and shell dresses to the Josephy Center in the town of Joseph, where I work. She said she’d ignored her grandmother’s teachings as a child, but on becoming a grandmother herself, took up the arts and began making things to give away: hats for granddaughters who serve food in the Longhouse; a fine beaded vest for her husband; dresses for young women to wear at naming and mourning ceremonies.
It’s important, Carla said, to take care of others as they come into the world, as they grow and as they leave. It’s a good lesson – giving is always more important than storing stuff away.
Rich Wandschneider is a contributor to Writers on the Range, writersontherange.org, an independent nonprofit dedicated to spurring lively conversation about the West. He feels lighter in Joseph, Ore. ?
-
- 03/20/2025
- 'A gift and a curse'
- By Molly Cruse / Colorado Public Radio
-
Founders of Nederland’s "Frozen Dead Guy Days" reflect on festival’s move to Estes Park
- Read More
-
- 03/20/2025
- Meet the candidates
-
Council hopefuls weigh in, and a little bit on Ballot Measure 2A
- Read More
-
- 03/13/2025
- Keeping it weird
- By Jennaye Derge
-
Studio & celebrates 15 years of art, progress, ideas … and those parties
- Read More
-
- 03/06/2025
- Hard to swallow
- By Sarah Mulholland / Colorado Public Radio
-
Trump’s tariffs may hit one of Colorado’s most valuable resources – craft beer
- Read More
- Mesa mania
- 03/20/2025
-
Things are once again beginning to rock and roll at Durango Mesa Park. The Durango Mesa Park Foundation announced it is beginning construction this week on a new intersection at Highway 3 and Ewing Mesa Road as well as reconstruction of Ewing Mesa Road into the park
- Getting salty
- 03/13/2025
-
It just might be the best thing since sliced limes. Ska Brewing has announced a new addition to its beloved Mexican Logger lineup: Lime Logger with Salt. This light, 5% ABV “crushable” lager is said to balance zesty lime with a subtle salinity – offering a “crisp, refreshing flavor that evokes a sunny afternoon in a can.” (We have yet to try it, but folks can let their own tastebuds decide March 27 at the annual summer kickoff party at Ska.)
- Two decades of DIFF
- 03/06/2025
- Writers wanted
- 02/27/2025
-
Attention closet keyboard klankers and newbie novelists: Four Corners Writers is seeking submissions from area writers for its second anthology of fiction, nonfiction and poetry. The upcoming collection follows the success of the Cortez-based nonprofit’s 2024 anthology, “Four Corners Voices,” which features the work of more than 40 regional authors and poets.